
This section
features very early images. Very few pre 1985 images are preserved. This
section also features the first group of published prints from the Studio's
founding in 1985.

The first color print is
"Headlights" (taken from the Studio's corporate name)

"Mondial Study 1" exemplifies the ultra realistic art style
that is almost completely abandoned after 1989. All of the work from this time
period is gouache, watercolor or ink on board. |
The very first acrylic
paintings appear in 1991, first on masonite then on canvas. Images become very
large, up to 60" wide.

"Wooden Rocket" is a landmark
painting, the first major acrylic work.

More early prints published by the Studio. "Louis' Garage",
one of the last large gouache on board works, is a very successful
example.
The first in a successful series of motorcycle paintings, the
award-winning "Indian Study 1"

was completed during this period. It is one of the earliest
acrylic works.
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This is a period
of flip flop between small, tightly rendered gouache on board images like "GTO
at Ludovisi"

and very large, sometimes quite loose
and impressionist acrylics on canvas like "A Day..."

and "Metamorphosis", the huge 4-panel work for the Chrysler
Corporation headquarters.

The late 90's was a strange and artistically restless time
that proved to be the foundation for the two very distinct painting styles that
followed.
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Although a few gouache works
are completed in 2000, most notably the award-winning "The Drift"

almost all other work is executed in acrylic on both
masonite and canvas.
Some, like "Young Girls in the Canyon"

are quite realist yet with significant impressionist
qualities. Others, like "Ochre"

and "Yellow"

both from the 2002 Color Series, are almost entirely
impressionist in style.
Although the subject of styles is for critics to
decide, the fact is that... two very distinct artistic approaches exist
side-by-side

as the latest work from 2005 clearly
demonstrates.
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The second 20 years. This gallery features work from 2005 and on...
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