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Jay Koka Studio TEN

a Retrospective of the Tenth Anniversary Book


ON EXHIBITING
by Jack Schwartz


Each year, for the past fifteen, on the first weekend of August, one of America's finest Automotive Art exhibits is held on the rolling grounds of Meadow Brook Hall at Oakland University near Rochester Hills, Michigan. This event is held in conjunction with the Meadow Brook Concours d'Elegance and together they comprise one of the most impressive displays of automotive beauty assembled for public viewing. As Chair of the Art Committee, it is my privilege to lead a group of automobile and art experts through the discovery and selection of automotive artists to exhibit at this show. An initial qualification is that these artists derive their living by creating fine art sculptures, paintings or drawings focused on the automobile. The selection process nominates about fifty artists from around the world as candidates. The candidates work is then reviewed based on their use of the automobile in a fine art form; excellence in artistic design and application; execution and presentation. The Art Committee narrows the candidates to a group of fourteen artists who are then invited to show at the Meadow Brook Concours d'Elegance.

To be selected as one of the fourteen individuals exhibiting at the show is considered a high honor by most artists, not only because of the competitive selection process but also because the exhibit attracts an exclusive gathering of national and foreign automotive executives and aficionados. Through the support and generosity of the concours audience, the show and sale of automotive art generates more than $100,000 benefiting the exhibitors and the preservation of Meadow Brook Hall.

The ultimate honor for a Meadow Brook exhibitor is to be selected as the annual Featured Artist. This honor includes the responsibility for creating the original art for the Concours poster that is extensively used to promote the event. jay Koka has been selected many years in succession as an exhibitor and in 1992 was selected as the featured artist. His original art and posters for that year stand today as one of the most impressive ever created and presented at the Concours.

Koka's abilities in the creative interpretation of the automobile both graphically and factually are unsurpassed. His style is one of authentic representation of the vehicle. He is strong in communicating the dramatic personality of the subject while illustrating precisely the converging and integrated shapes that make the image distinctive. Koka's presentation strongly incorporates the importance of background which graphically interacts with the vehicle. Combining these elements with outstanding use of color and texture, jay brings the vehicle out from the canvas. Drawing and painting any vehicle is a challenge for an artist as each vehicle possesses individual characteristics, proportions and "good sides" that create and express its personality. To capture its true "portrait" requires a knowledge far beyond understanding the shapes. jay's love of sports cars and his knowledge and understanding of the marques contribute to the accuracy of his work and the colors in his palette. He has consistently brought forth these qualities in his work as exemplified in the use of darkness, shadows or night in 'Bugatti' (1971) and 'Lusso' (1989). He can also ably focus on the key lines of a vehicle as demonstrated in 'Headlights' (1986) and the more recent 'Atlantic' (1991) skill giving his audience only a partial glimpse of the surfaces but they allow almost instant recognition of the vehicle and in certain cases, identity of the year.

Such rendering skills and choice of subject matter allowed our Art Committee to unanimously select jay as the featured artist in 1992. The featured marque for that year was "French Custom Body Builders". These vehicles represent a styling flair that has been unequaled and illustration of such cars is extremely challenging because of proportion, blending of shapes and the elegance of line. jay chose the superb 1937 Bugatti Atlantic Coupe, a vehicle whose character lines are wildly divergent on sharply curving surfaces that interact with flat planes. To emphasize its elegance, Jay chose to illustrate the car at night with only the interior lights of Meadow Brook Hall illuminating the 'far side' of the vehicle. Reflected light from the cobblestone drive softly illuminates the 'featured side' of the black and red Bugatti. The technical challenge was met and the painting became one of the most spectacular works ever exhibited at the Concours, fetching $39,000 at the charity auction. Jay's vision in composition, execution and daring gave Meadow Brook Hall its first illustration of the hall and vehicle in the darkness of night.

My favorite work of Jay's is the 'Wooden Rocket'. I love this work not because the car is my favorite or my intrigue with its style, but because I so admire the skill Jay has used in illustrating the shape of the vehicle with the grain of the wood and the sheen of the high-gloss clear coat. That, coupled with the polished brass and chrome, allows me to feel the essence of a very special automobile, a very special painting technique from a very special artist all at once. Jay has thrilled his audiences each year with his newest examples of art and the automobile. We anxiously await his latest expressions at Meadow Brook Hall next August!




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